Saturday, 6 July 2013
Episode-by-episode: The Affair at the Victory Ball
Script versus short story
The adaptation is more or less faithful to its source material, with some noticeable additions and changes. First, there's an introductory voice-over by Poirot on the characters of the Commedia del'Arte (in fact, there are repeated references to the different characters - a very useful and important explanation for viewers). Second, the actors here become BBC Radio actors, and an added radio producer becomes a friend of Hastings's. Third, Poirot and Hastings are both present at the Victory Ball, on the invitation of this friend. Fourth, there's an added interview with Davidson (and Davidson's character is a much more prominent character throughout). Finally, the denouement is moved to the radio studio, and the solution is changed somewhat (Davidson tried to implicate his wife, Poirot reveals him by the fact that he is left handed and Lord Cronshaw was right handed). All in all, though, the adaptation is a faithful retelling of the short story.
(I must admit, though, that the victory celebration seems somewhat out of place. It was perhaps somewhat more appropriate in the original short story, which was set shortly after the First World War.)
Directing, production design, locations, soundtrack
Rye's direction works well for the episode, with excellent use of the extravagant ball scenes (the production designers and costume designers must have had a lot of fun with that one). Locations used include, of course, the Broadcasting House in London. The soundtrack is very effective, and Gunning released it on CD. Parts of it were also used for later episode scores (see, for instance, The Adventure of the Egyptian Tomb).
Actors and characters
Of the guest actors, there are no real standouts, but Nathaniel Parker (of later Inspector Lynley fame) is obviously a name to note.
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